Wednesday, 16 May 2012
Elgol3
In this Lithographic print I was trying to capture my emotions associated with erosion i.e.turmoil,fear,strength,fragility and the environment that I have used as inspiration for
my recent work. I deliberately used a landscape format and believe this has worked well,
as I can see various scenes within the print.The contrast between loose and controlled mark
making,the tonal range used,gives the print an energy and capture the emotions I associate
with erosion.The print is an abstract impression of Elgol.
Tuesday, 15 May 2012
Elgol
This is my response to eroded cliffs at Elgol. My initial idea was to hang simple
drawings of erosion made on tissue paper in front of each other and in front of
of the more solid graphite drawings,enabling the viewer to look into and walk
through the piece. Unfortunately I discovered that you could not see through
tissue paper,even when using a spot light. I am happy with the way the work
is displayed but I am giving more thought to how I can enhance the experience
for a viewer.
drawings of erosion made on tissue paper in front of each other and in front of
of the more solid graphite drawings,enabling the viewer to look into and walk
through the piece. Unfortunately I discovered that you could not see through
tissue paper,even when using a spot light. I am happy with the way the work
is displayed but I am giving more thought to how I can enhance the experience
for a viewer.
Impasse
The Art Box is waiting to go on its travels,the sketch
hangs helplessly on the line and the steps are waiting
to be used. The artist discovers that you cannot see
through hanging tissue paper.
hangs helplessly on the line and the steps are waiting
to be used. The artist discovers that you cannot see
through hanging tissue paper.
Corner Space
Really pleased with the way I have displayed these drawings,the mounting of the larger work within the corner adds another dimension to the work.
Corner Piece 2
Displaying this work in a corner gives it greater spacial awareness and to me adds to the three dimensional feel.
Corner Piece
Looking at past entrants for the Jerwood Drawing prize I noticed
that some work had been displayed round corners, decided to see
how my drawing would look. Overall I think this method of display
enhances my work by giving greater spacial awareness.
that some work had been displayed round corners, decided to see
how my drawing would look. Overall I think this method of display
enhances my work by giving greater spacial awareness.
Scale up
Displayed the work close together to help me decide
which scale produced the most interesting work.
Decided both scales had their individual merit,the
smaller version having more detail/depth and the larger
version being more impressive due to its size/presence.
Fragility
Decided to use tissue paper as the support for my
sketches,both to express fragility and to give depth
by multilayering. I like the contrast between the
sharp and blurred images and the overall organic
feel of this finished work.
sketches,both to express fragility and to give depth
by multilayering. I like the contrast between the
sharp and blurred images and the overall organic
feel of this finished work.
Turmoil
I was trying to create a feeling of turmoil
in this drawing and feel that I have been
partially successful. The areas on the
outer edges feel unstable,but the central
area feels still.
in this drawing and feel that I have been
partially successful. The areas on the
outer edges feel unstable,but the central
area feels still.
Strength
Although this drawing is representational of the erosion
of cliffs it is moving towards abstract. To me the emotions
associated with erosion are strength,fragility,turmoil and fear.
This is my representation of strength,are the parts supporting
each other or are cracks starting to appear?
of cliffs it is moving towards abstract. To me the emotions
associated with erosion are strength,fragility,turmoil and fear.
This is my representation of strength,are the parts supporting
each other or are cracks starting to appear?
Monkey Puzzle
The shapes/patterns give a feeling of energy and
movement in this complex drawing. When I look
the first thing I see is a monkey, with a strong ,
resolute jaw ,holding back the turmoil in the
drawing.
movement in this complex drawing. When I look
the first thing I see is a monkey, with a strong ,
resolute jaw ,holding back the turmoil in the
drawing.
Fear
The use of tone and shapes / patterns in this graphite
drawing have generated an energy and feeling of
movement and change. Some of the images present
take on a sinister feel and make me think of unknown.
This is my response to capturing the fear of erosion.
drawing have generated an energy and feeling of
movement and change. Some of the images present
take on a sinister feel and make me think of unknown.
This is my response to capturing the fear of erosion.
Wednesday, 2 May 2012
Uncertainty
I was trying to capture the feelings associated with erosion
in the natural environment,which to me are turmoil,strength,
fragility and fear. In my opinion the limited,selected palette
and application of thick acrylic paint, as per Zebedee
Jones,have enabled the creation of an abstract painting
depicting turmoil and strength. The surface of the painting
gives a feeling of movement and the depth gives a feeling
of uncertainty and the unknown.
in the natural environment,which to me are turmoil,strength,
fragility and fear. In my opinion the limited,selected palette
and application of thick acrylic paint, as per Zebedee
Jones,have enabled the creation of an abstract painting
depicting turmoil and strength. The surface of the painting
gives a feeling of movement and the depth gives a feeling
of uncertainty and the unknown.
Ennui
I used an abstracted image from one of my erosion
drawings as my inspiration for this acrylic
painting.
I am interested in the work of Zebedee Jones,
particularly his use of thick paint, and was interested
to explore if I could capture the strength and fragility
of nature more successfully using this approach.
Overall ,whilst I think there is turmoil showing in parts
of this image,particularly where I have applied the
paint freely,I believe there is an overall feeling of
control .
drawings as my inspiration for this acrylic
painting.
I am interested in the work of Zebedee Jones,
particularly his use of thick paint, and was interested
to explore if I could capture the strength and fragility
of nature more successfully using this approach.
Overall ,whilst I think there is turmoil showing in parts
of this image,particularly where I have applied the
paint freely,I believe there is an overall feeling of
control .
Thursday, 8 March 2012
Forces
always fascinated me.Is the continual movement of the sea,gradually eroding
the shore,depositing materials in new environments ,a force of destruction
or creation?
In the video I am trying to capture change,I have emphasised the
transitory shapes and patterns and retained the natural background sound as
it adds to the feeling of movement,all of which contribute to change.
Erosion 5
Graphite drawing based on obsevation and my own photographs
of an eroded cliff. I love the fact that this drawing is
representational,whilst at the same time having abstract qualities.It
has depth,shows good use of tone and this along with the
extensive use of shapes and patterns has created an
interesting work.
It is a complex piece and I think it is fair to say "the more you
look the more you see"
I have been looking at the work of Sian Bowen and am
starting to think about the different ways drawings can be
displayed.
of an eroded cliff. I love the fact that this drawing is
representational,whilst at the same time having abstract qualities.It
has depth,shows good use of tone and this along with the
extensive use of shapes and patterns has created an
interesting work.
It is a complex piece and I think it is fair to say "the more you
look the more you see"
I have been looking at the work of Sian Bowen and am
starting to think about the different ways drawings can be
displayed.
Intruder 3
My artwork is based on the Natural Environment
and humanity's coexistence with it. Currently I
am focusing on litter/waste. Intruder 2 and
Intruder 3 illustrate my dilemma:- am I trying
to produce artwork with a moral message
"litter is bad" or
a message "litter can be used as a material to
create something beautiful"
In this piece I hope the viewer sees the crisp
packet as an intruder.
and humanity's coexistence with it. Currently I
am focusing on litter/waste. Intruder 2 and
Intruder 3 illustrate my dilemma:- am I trying
to produce artwork with a moral message
"litter is bad" or
a message "litter can be used as a material to
create something beautiful"
In this piece I hope the viewer sees the crisp
packet as an intruder.
Intruder 2
Collaged "degraded " crisp packets add another dimension to the graphite drawing. Intend to continue to explore the use of collage in this way.
Intruder 1
Overall do not believe this graphite drawing works. I think the inverted image is more interesting ,but the rubbish looks inanimate and too integrated into the honeycomb structure,not the intruder I wanted it to be.
Thursday, 16 February 2012
Blown
A photograph from the "Blown exhibition " in the Shaun space see http://www.shaunprojectspace.wordpress.com/.
Erosion 1
Thoroughly enjoyed creating this graphite drawing which ,to me, shows how this intricate eroded natural structure can be considered to be fragile or strong.
Wednesday, 1 February 2012
Surprise
I like the "shadow art" of Cornelia Parker and Tim Noble /Sue Webster as I believe the shadow adds another dimension. I was surprised to create this "landscape" when I took some photographs, in a dark room ,of a suspended piece of acetate to which I had added paper mache and footprints cut out of tin cans.
I am going to do some more experiments to see what other "surprises" I can create.
Wednesday, 18 January 2012
Power
Trying to see if I could use recycled tin cans as paint by weaving them into the canvas .I consider this to be a successfu exercise and believe the pieces of can add to the overall energy and movement depicted.
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